AMG in collaboration with IWC and Sacai, celebrated the launch of the new AMG GT during the world's most important racing event: the first F1 Grand Prix in Las Vegas. The 3-day installation took over a track in the middle of the Nevada Desert, building an ephemeral city of dust and steel. The grand premiere culminated in a choreographed light show featuring Lewis Hamilton and George Russel.

Row 05

While Salone del Mobile is renowned for it's showcase of everyday design objects, artist collective Numen/For Use's large-scale installation "Lines of Flight" offered a place to dream beyond the day-to-day of design week. At Milan's Palazzo Clerici visitors were invited to climb inside a monochrome, symmetrical textile sculpture, bringing the iconic Pepita Fabric to life. The installation celebrated Vitra's unveiling of three renowned chairs in this fabric. The designs were premiered through a dance performance choreographed by Imre & Marne van Opstal, focusing on the geometry and rhythm found in the pattern.

The Art of Dreams Milan

Bringing an iconic textile pattern to life

F.A.T. International is championing a new approach to racing culture. Amsterdam Berlin brought F.A.T.'s celebrated Ice Race to the mountains of Colorado. The installation included a social space, car exhibition and track. The vibrant, fresh and fun design mimicked the identity and values carried by F.A.T. International. The 2-day experience featured a number of performances and races, as well as exclusive events in Aspen.

Bringing the Austrian energy of the Ice Race to Aspen Colorado

A celebration of modern car culture

'Obroni wawu' translates directly to 'dress of the dead white man'. A description Ghanaian locals came up with when the first wave of second-hand clothes from the West swept into their country in the 1970’s. They could not believe that clothing of such quality was just given away. Instead they assumed that the previous owners must have died. Dead White Men's Clothes is a fashion project in collaboration with artist Jojo Gronostay. It sets out to provoke a discourse on capitalism, post-colonialism, waste, responsibility and the future of fashion. The fashion label sources used, discarded clothes on the Kantamanto Market in Accra, then reclaims, relabels and re-contextualizes them to sell back to the Western world as high fashion in the cycle of capitalism. The label’s profits are donated to support young African designers. The DWMC™ collection launched at Paris FW 2018 and sold out in the first 3 days.